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Onda Onda
The French office for contemporary performing arts circulation (Onda) promotes the dissemination of contemporary performing arts through information, expertise, networking, financial support, surveys.
- About About
- Contacts Contacts
What’s on What’s on
Onda’s effectiveness is based on its ability to scout works by artistic teams and its familiarity with performance venues. In 2021, the Onda team went to 149 cities and saw 1,558 performances of 1,220 shows.
In this section, some proposals scouted by Onda and soon to be touring.
- Productions Productions
Networking Networking
The network overseen by Onda is driven by a commitment to more efficiently promote contemporary artistic creation and to facilitate contact between artists and performance venues.
Playing an active role in the life of the professional network is also about observing what is being constructed elsewhere, identifying processes of experimentation and encouraging new practices. To develop these initiatives, Onda generally works in a partnership approach.
Financial support Financial support
Regarding its financial support for the dissemination of works, Onda’s role is to help increase the overall lifespans of productions whose high artistic standards have been recognised, so that they may reach a wider audience. In 2021, Onda supported the circulation of 1,021 shows by 765 artistic teams for 4,520 performances in 401 structures, for a total budget of €3,288,731.
Resources Resources
Onda occupies a unique position at the crossroads of all performing arts disciplines, between production and circulation, with a regional, national and European outlook while maintaining a vibrant relationship with the stakeholders of the contemporary stage. This position makes it particularly qualified to observe and analyse this sector.

Office national de diffusion artistique

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Productions

DYING ON STAGE / CHRISTODOULOS PANAYIOTOU

EN FÉVRIER EN AUVERGNE-RHÔNE-ALPES, EN MARS EN NORMANDIE, PAYS DE LA LOIRE, SUISSE

Christodoulos Panayiotou choisit la forme de la conférence performée pour traiter la vertigineuse question du rapport de la mort à la scène. Pour Dying on Stage, il s’inspire de la première du ballet La Bayadère remonté par Rudolf Noureev en 1992, quelques mois seulement avant son décès, alors qu’il en était à un stade déjà avancé de sa maladie. Illustrée par de nombreuses vidéos accumulées au fil des années, et projetées à chaque anniversaire de l’artiste, Dying on Stage montre pour la toute première fois, déployée en trois volets, l’intégralité de son matériel de recherche, essentiellement des extraits de films, d’opéras, de concerts et d’émissions de variété.

Spectacle sélectionné dans le cadre du dispositif de montage de tournées internationales.

Contact

Christodoulos Panayiotou
adonis@christodoulospanayiotou.com
http://www.christodoulospanayiotou.com